Last week the muse struck me, as I was listening to some music. I wrote this post, drawing lines between writing a novel and making music. I hope you liked it.
But after submitting that post, it dawned on me that I’ve omitted a few critical puzzle pieces. I alluded to them in comment, but they are far too significant for me not to address with a bit more depth.
So, we put the band back together and we’re thinking about new materials, recording and with some luck, live concerts. We have everything we need for people to hear music. But there are just a couple of things we really should’ve thought about earlier…

Lead singer!

Extremely rare, are successful and popular ensembles which are not identified with a strong lead singer.
We’d love our fans to have a face for our band, don’t we? In literature, that is our protagonist, our hero. Our Kurt, or John, or Freddie. You get the picture. Someone to root for.
When Nirvana recorded ‘Nevermind’, the producer – Buch Vig – wasn’t happy with Kurt’s vocals as he did them. After some thought, he “tricked” Kurt into adding Dave Grohl’s backing vocal by telling him (the truth, I might add) that’s what The Beatles did. And the result? Kurt’s raspy, screech-y voice, layered with dave’s high pitched, downplayed backup. That in itself made that album as legendary as it is.
The same goes for our novel. One character does not a novel make. One needs some backup. And it could be a friendly figure, like little Steven to Bruce Springsteen – you know, to make it fuller. But it could be an antagonistic relationship – in fact, we must have that element. Axel without Slash and Duff? Give me a break.
But one thing’s important. Our band must have a clear voice. There is one, and only one lead vocalist.
Yes, The Beatles featured at least 2, but here is my reply:
  • The Beatles are legendary.
  • John sang this song with Paul backing and then Paul sang another while John backed him up.
  • John is the undisputed lead singer, and whoever says differently should be shunned! Or maybe not. You get the point.
with-the-beatles-3
Ah! But what about boy/girl bands?
Well, first of all they suck.
Besides, when everyone sings together, it could be harmonious, but it is normally either confusing or sounds downright bad. And even within these bands, every singer has his lines, his spots. Even in great choruses, there’s a lead.
I think we got that down.
And, perhaps the most important thing left to do… Write some damn songs! Put words in the mouths of the singers, teach the band members how to play, decide which style of music we want to do next.

Yes, that is you, the writer.

You decide what kind of music gets played. Is it upbeat? Slow romantic, perhaps classic? Is it loud? What kind of lead singer do you want? You’ve got to know this guy very well, you don’t want him to stop showing up for concerts or surprise you with uncharacteristic behavior – well not to the extent he breaks up the band at least.
Who are his backing vocalists? What do their relationships look like? How do they help him grow?
What are the songs about? Are they very personal? Are they politically infused? Is there something the band stands for?
There you go. Now we have the complete package, and once we’ve hired some vocalists and wrote the lyrics and the tunes, we can finally see the stage lights waiting for us to come up.

I hope you all get standing ovation.

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